Saturday, March 23, 2013

Islamic Mysticism


Key Terms related to Islamic Mysticism
By Tawni Miller

Baraka
Baraka is the blessing of God. Baraka is said to be communicated through saints and attached to the Prophet’s name.[i]  This blessing is a result of closeness to God. Muhammad after all, is believed to have received the Quran from God. And saints were said to achieve near perfect faith. Muhammad’s name is considered to Baraka, meaning that it is a blessed name. Out of respect for its power, Turkish Muslims often name their child, “Mehmed” instead of Muhammad.

Chilla-yi
Chilla-yi or inverted chilla is a mystical practice that involves hanging upside down for forty days while reciting prayer. It’s most famous practitioner was the successor of Bakhtiyar Kaki’s, Fariduddin (d.1265).[ii] He suspended himself in a well during this ritual. Chilla-yi, like its counterpart chilla, is used to attain visions of God. It is seldom practiced in modern times because of its extremity.  Chilla is more common in today’s time. One spends 40 days in an isolated and dark space, also known as a Chilla-khana. The fact that this individual is participating in this practice is announced to their community of mystics, so that their family can be looked after by the community and that mystic does not have to be distracted by worry of their family’s well being.[iii] This practice began among Sufis in eastern Iran and then made its way to India.[iv]

Chilla-khana
Chilla-khana is the location where chilla is performed. It is required to be an isolated [v]place. Caves and dark rooms are its most common forms. It is meant to be understood as a tomb to the practitioner. Most often, it is located close to the dwelling of a mystic fraternity. It is not uncommon for them to be subterranean.[vi] In this space the mystic remains for forty days in a constant state of fasting and prayer.

Dhikr
Dhikr means “recollection” and refers to one of the key elements of Sufi meditation. Dhikr involves the recitation of prayer, names, poems, etc. This practice was established as early as the eleventh century and it was used in Chilla as well as other meditations. The word, used with this meaning, first appeared in the Quran. The Quran stresses the importance of being able to recall God’s commandments.[vii] The earliest phrase repeated was most likely the Arabic form of, “there is no God but God.”[viii]

Ijaza
Ijaza is the right a Sufi disciple gains from his master to teach what he has learned. It is often symbolized with a patched frock called a khirqa. This license, is a result of the mystic being initiated into the group of masters in a Sufi Order. The mystic is then able to take disciples of his own.[ix]

Karamat
Karamat is the aerobic term for miracle. This refers to the miracles performed by Sufi saints. The saints were widely known for their healing powers. This miracle is performed specifically by the saint, because the prophet’s miracles are called mu’jizat. Mystics claim that miracles not only differ by who performs them, but also that there are different types of miracles that can be performed by these select individuals. [x]

Kashf imani
Kashf imani is one of the four revelations as developed by Sufism. Kashf is the Islamic term for revelation. Its meaning has been compared to the ripping away of a veil.[xi] It is a revelation resulting from faith. These revelations are manifested as conversations with angels and the spirits of the prophets. These are the result of a strong faith which is considered “perfect” and nearly equal to that of the Prophets.[xii]

Khamyaza
Khamyaza translates to English as “yawn,” which is a representation human of longing. This yawn is more of a spiritual yawn where the soul is desperate for God, like an individual’s brain desperate for oxygen. This relationship between God, breath, and people is biblical. It can be traced all the way back to Genesis, which describes God breathing life into his clay creation, Adam. Khamyaza expresses the natural tendency of mankind to long for God and heaven. After all, yawning is a natural occurrence which does not require a conscious effort by a person. Khamyaza is thought to be a mirror of the longing God also feels to be with his creation. This view of God is called the “pathetic” God.[xiii]

Khirqa
A khirqa is a patched cloak or robe which was highly symbolic in early Sufism.  It was presented to a Sufi by his master as proof of their ijaza, or license to teach.[xiv] These cloaks have been described as rough and made of wool.  They were most often blue which was practical for travel because it does not easily show dirt.[xv] These robes were recognized by other Muslims as an indication that the wearer was in a mystical path.[xvi]

Lata’if
Lata’if, which translates as, “touches of grace,” was developed by Ja’far al-Sadiq (d.765) as one of the four aspects of the Koran. Latia’if was processed by Saints and was the result of their high degree of interior knowledge. This term, both contributed to, and originated in, the idea of a hierarchy of faith in Sufism.[xvii] This word is also used as a title for one of the five “subtle points.” It necessary for mystics to focus on these points when performing dhikr, “a repetition of prayer of holy names.” This practice allows for transformation of these subtle substances.[xviii]

Maqam
A maqam is a step or station on the spiritual path of a Sufi. These stations were thought to represent the acquiring of specific qualities in relation to ethics and spiritual maturity. The number of stations that exist on this path is undecided. The sixth Imam, Ja’far al-Sadiq originally divided three groups: springs of gnosis, constellations of the heart, and lights of God. He claims there are twelve springs, twelve constellations and 40 lights. His ideas are what the notion of a maqam, for Sufis, is based on. Later, in Qushayri’s handbook on Sufism, a total of fifty stations are mentioned. Still later, Ansari (d.1088), the notable Persian Sufi, claimed that there were one hundred maqamet.[xix]

Majdhum
Majdhum or “enraptured one” refers to a mystic that has become consumed by the power and allure of God. These people are known for abandoning rational behavior after seeing a vision of God.[xx]  They have also been referred to as “fools of God.”[xxi] Basically, they are people who have lost their minds, whether those identified as a majdhum had gone crazy because of a mystical experience or simply had preexisting phonological issues is debatable by historians. Contrary to a modern western view of the mentally unstable, these people are often seen as having been freed from slavery to God and now exist in perfect harmony with him. Most Sufis view this as slightly sinister, because the majdhum had no regard for social graces and often roamed the streets naked.[xxii] This has been viewed by mystical Muslims as both inspirational and disturbing.[xxiii]

Maulid
Maulid is the celebration of the birth of either Muhammad or one of the Saints.[xxiv] The celebration of the birth of Muhammad emerges around the seventeenth century in Islam. This takes place during the third month of the lunar year. The celebration usually consists of singing of songs, prayers and recitation of poems. A popular poem for the celebration of the Prophet’s birth is Mevlud-i serif, which was written by Celeb of Bursa (d.1419). It is a Turkish poem about Muhamid’s birth. Shari’a-sufis often practiced Maulid by visiting the tomb of a saint on the saint’s birthday, in order to be closer to God.[xxv]

Miraj
Miraj is the Arabic term for a heavenly journey, like the one made by the Prophet Muhammad. It is also known as Muhammad’s “night journey” and “ascension through the spheres.”[xxvi] These spheres are a direct reference to the planets of our solar system and beyond. It is believed that his spirit left his body and ascended into space because of his connection to God. This experience, however, is not limited to the Prophet. This is said to be attainable by any “sincere” Muslim.[xxvii] A great number of mystics have reported similar experiences, the most notable of which were Ghazzali, the Islamic philosopher and Muhammad Iqhal. Such tales became so popular that such stories became their own literary genre titled Libro della Scala or “Book of Miraj” which was popular in the medieval Mediterranean world.[xxviii] These naratives are thought to have influenced Dante’s work The Devine Comedy. Like many Muslim mystics whom claim to have ascended, Dante has a guide to lead him through the spiritual realms. For example, Muhammad Iqhal, a twentieth century Sufi, claimed the famous mystic poet, Rumi, as his spiritual guide on his miraj.[xxix] This word was also used to as the title for one level of heaven.  

Murshid
Murshid is another title for the Sufi master. They are also referred to as the disciple’s “spiritual guide.”[xxx]  Sufi masters are highly respected in Sufi Orders by their disciples. There are certain rules a disciple should follow regarding how to address his master and how to behave in his presence. The disciple was often referred to as the murid, which means “one who desires, while the master was referred to as the murad or “one who is desired.”[xxxi]The disciple did literally desire the master because his master possessed superior spiritual knowledge and mystical power.

Mutasawif
Mutasawif is a title given to an imitation Sufi.[xxxii] These individuals often take part in Sufi practices but their faith is not sincere. Many modern day Sufis are accused of being a mutasawif. It is believed that people of today are more likely to blindly conform to society and to make insincere confessions to God.[xxxiii] So, it is assumed that fewer true Sufis, or mutasawwif, still exist.

Mutasawwif
Mutasawwif is a term used to refer to a true Sufi, as opposed to false one. This word was developed during the same time as the term mutasawif, which refers to a pretender of Sufism. Like any religion Islamic mysticism developed a vocabulary that would allow mystics to express the superiority of their spirituality in comparison to that of other Sufis. It was widely believed that you were born with the purpose of becoming a Sufi or you were not.[xxxiv]

Nafs
Nafs is understood to be the “lower soul.” It is better understood by westerners as human instinct. Nafs is responsible for man’s temptation to behave in a selfish manner. In fact, nafs has been described as Pharaoh, the biblical selfish figure. Also, in relation to the Old Testament nafs has been explained with the use of a simile where it is like the snake Moses transforms into a staff in Exodus.  This demonstrates the idea that nafs can be transformed into something useful like a staff or walking stick. It is believed by those of the mystical traditions of Islam that one can train their nafs be a valuable tool. This term, is also used for one of the six subtle substances of a person: the soul. This substance is associated with the Infidel, Noah, and the color blue. [xxxv]

Qabd
Qabd is the compression of the soul. This is an action that is carried out by God. It often results in loneliness for the mystic. The idea is that by compressing one’s soul they become less aware of their individuality and closer to unity with God. Although, emotionally painful, this is viewed as desirable to Islamic Sufis. It is considered “the dark night of the soul”[xxxvi] In this state the mystic is absent from himself but present with God.

Sabzpush
Sabzpush literally means “he who wears green.” This term is used to refer to someone who has attained the highest of the spiritual levels. Those who fall into this category are angels, the Prophet and the Khidr or guides to mystics.  The color green began being worn by high Sufis once certain groups of mystics abandon the traditional color blue for a color that corresponded to that Sufis station. Some of the most high


[i] Ira M Lapidus,. A History of Islamic Societies. New York: Cambridge University Press, 2002, 210.
[ii] Annemarie Schimmel, Mystical Dimensions of Islam. Chapel Hill: University of North Carolina, 1975, 346.
[iii] Sadanand Naimpalli, Theory and Practice of Tabla. n.d, 51,52.
[iv] Schimmel, Mystical Dimensions of Islam, 358.
[v] Carl W. Ernst, The Shambhala Guide to Sufism. Boston: Shambhala Publications, 1997, 61.
[vi] Schimmel, Mystical Dimensions of Islam, 105.
[vii]  Ernst, The Shambhala Guide to Sufism, 92.
[viii] Ibid, 93.
[ix] Lapidus, A History of Islamic Societies, 138.
[x] Schimmel, Mystical Dimensions of Islam, 206.
[xi] "The Brill Encyclopaedia of Islam." Blackboard. n.d. 315.
[xii] Schimmel, Mystical Dimensions of Islam, 193.
[xiii] Ibid, 268.
[xiv] Lapidus,  A History of Islamic Societies, 138.
[xv] Schimmel, Mystical Dimensions of Islam, 210.
[xvi] "The Brill Encyclopaedia of Islam," 337.
[xvii] Schimmel, Mystical Dimensions of Islam, 41.
[xviii] Ibid, 174.
[xix] Ernst, The Shambhala Guide to Sufism, 103.
[xx] Schimmel, Mystical Dimensions of Islam, 19.
[xxi] Ernst,  The Shambhala Guide to Sufism, 29.
[xxii] Schimmel, Mystical Dimensions of Islam, 19.
[xxiii] Ibid, 105.
[xxiv] Ibid, 216.
[xxv] Lapidus, Ira M. A History of Islamic Societies, 631.
[xxvi] Schimmel, Mystical Dimensions of Islam, 218.
[xxvii] Ibid, 219.
[xxviii] Ibid.
[xxix] Ibid.
[xxx] Ibid, 500.
[xxxi] Ernst, Carl W. The Shambhala Guide to Sufism, 124.
[xxxii] Ibid, 27.
[xxxiii] Schimmel, Mystical Dimensions of Islam, 20.
[xxxiv] Ibid, 20.
[xxxv]  Ernst, Carl W. The Shambhala Guide to Sufism, 107.
[xxxvi] Schimmel, Mystical Dimensions of Islam, 129.


Bibliography
Ernst, Carl W. The Shambhala Guide to Sufism. Boston: Shambhala Publications, 1997.
Lapidus, Ira M. A History of Islamic Societies. New York: Cambridge University Press, 2002.
Naimpalli, Sadanand. Theory and practice of Tabla. n.d.http://books.google.com/books?id=Z63zvthhbhAC&pg=PA51&lpg=PA51&dq=chilla+practice&source=bl&ots=RHv_ZUo7II&sig=sTTPJipSTO-RFJZANFshR61HqrU&hl=en&sa=X&ei=mg6OUKGSNpD49gS254CICw&ved=0CC0Q6AEwAw#v=onepage&q=chilla%20practice&f=false (accessed October 28,2012).
Schimmel, Annemarie. Mystical Dimensions of Islam. Chapel Hill: University of North Carolina, 1975.
"The Brill Encyclopaedia of Islam." Blackboard. n.d. http://blackboard.murraystate.edu/webapps/portal/frameset.jsp?tab_tab_group_id=_2_1&url=%2Fwebapps%2Fblackboard%2Fexecute%2Flauncher%3Ftype%3DCourse%26id%3D_20494_1%26url%3D (accessed October 28, 2012).

Arabic Caligraphy


Arabic Caligraphy
Harmony Sutherland

Arabic Calligraphy: Unlike Roman or Chinese calligraphy, Arabic calligraphy is quiet new. Until the rise of Islam, Arabs were a nomadic, tribal peoples with a custom of oral communication. According to tradition, the odes of the al-Mu'allaqat were the only things transcribed to writing in pre-Islamic Arabia, and  inscribed in gold lettering around the Kaba.i After Islam was born in the early 600's, Muhammad's successor, Caliph Abu Bakr, ordered the Prophet's secretary, Zayd ibn Thabit, to gather the revelations and make them into a book, the Qur'an. The holy book plays a critical role in the development of Arabic calligraphy. The script was written to mirror the nature of the book, it having to be as beautiful as the word of God. 

Process and tools: Like Western/Latin calligraphy (khatt), a calligrapher (or khattat in Arabic) gets formal training, it taking three to ten years to master presently. There are strict rules to follow, the calligrapher having to learn measurements, ratios, and many other devices.
ink well and pen. Extracted from calligraphyqalam.com
The ink (hibr) used is usually made out of soot, mixed with gum arabic and water, creating a black color. Traditionally, the soot is scraped from mosque lamps, thus making the writings even more scared.v A wad of silk (liqa) is placed in the inkwell, the calligrapher just pouring enough ink into the well for the wad to soak in. This allows just the right amount of liquid to get onto the pen so that no blobs of pigment will get on the paper in result to too much ink. 
Material used for writing calligraphy on was papyrus or parchment made from animal hides until the tenth century when paper was introduced.vi Before the paper is written on, it is dyed with a starchy substance known as ahar and then burnished smooth.

Alif : The alif is the first letter of the Arabic alphabet and is also the base ratio of all other calligraphic letters. A calligrapher will create the alif and then measure the mark with points. A point is the shape formed when pressing the tip of the pen on to the paper, creating a square. This form of measurement was attributed by calligrapher Abu Ali Muhammad Ibn Muqlah (d. 940).vii

Naqt/ I'jam: Naqt or I'jam is the use of dots, or letter pointing. The Arabic alphabet consists of twenty eight letters, many of the consonants are the indistinguishable of another. The only thing that allows the letters to be recognized is the naqt placed on top or under the letter. Abu l-Aswad al-Du'ali (d.688), who is credited founding Arabic grammar, developed a system called Tashkil (vocalization) that emphasized the use of naqt/i'jam. This system used large colored dots to show parts of Arabic speech that are not shown through letters.x

Nabatean Script: The Nabateans were a people that lived close to the Arab regions and held close trade and cultural ties.xi They were a nomadic culture that dwelt in Northern Arabia, to southern Syria until developing a kingdom around the Jordan area in about 150 BC. The Nabateans eventually lost  power by the Romans in 105 AD.xii However, not everything of the Nabateans was wiped out. Their script survived and had a big influence in the maturing of Arabic calligraphy. Jazm, the earliest reference to Arabic writing, was a Nabatean based script.  The Jazm stlye's  stiff and angular characteristics greatly influenced the famous Kufic script.xiii 
Nabatean Script. 

 Ibn al-Bawwab: Abu l-Hasan 'Ali ibn Hiilal, or better known as Ibn al-Bawwab (d, 1022)xvi was a student of a student of Ibn Maqlah. Without violating any of the rules placed down by Ibn Maqlah, al-Bawwab was able to revise the designs of his teacher's master. Al-Bawwab developed a measuring system using the square dots made by the pen to measure the height and width of a letter, refining Ibn Maqlah's measurement system. 
Ibn al-Bawwab was born a commoner, believed to be the son of a doorman, thus how he got his name (Ibn al-Bawwab translates to son of the doorman). Starting out as a house painter, Al-Bawwab eventually obtained the career of a book illuminator. He then went on to master calligraphy and eventually became an imam in a mosque in Baghdad.xvii The calligrapher went on to have written sixty-four Qur'ans and many secular works using his calligraphy skills.xviii   

Abu’l-Majd Jamal al-Din Yaqut (or Yaqut al-Musta'simi): Yaqut (d. 1298) was born in Anatolia, working as a salve to the last caliph of the Abbasid caliphate, Musta'sim Billah. He eventually became the scribe to the royal court of Baghdad. Yaqut was known for his strictness with his pupils, he wrote two sections the Qur'an everyday, himself. The story goes that he even refused to flee Baghdad when the Mongols attacked, he still needing to finish his daily sections. With a pen, paper, and ink, Yaqut hid in a minaret of a mosque and continued his practice as the city below was getting destroyed. 
Yaqut was trained by a women, Shuhda Bint al-'Ibari, who was a student in the direct line of al-Bawwab.xix  He revolutionized how the pen tip was cut by giving it a slanted tip, giving the letters that al-Bawwab had developed a new life. He even invented a new form of the Thuluth Style script, it being called Yaquti.xx

Cursive Script: The cursive scripts date back to the very first years of the Muslim era.xxi  At first lacking the elegance seen today, time progressed, allowing the scripts to evolve into the flowing, curved styles there are today. The cursive scripts include the Naskh, Thuluth, Muhaqqa, Rayhani,Tawqi, Riqa, and the Nastaliq scripts. 

Naskh Script: This script's name derives from the word nasakha which means “to copy”.xxii It was at first not counted as one of the Sitta due to it was easy to write. Due to not having any strict conformity,xxiii  early Naskh styles allowed anyone to easily copy it, until Ibn Muqlah's measuring system came around. With the development of strict proportions, the Naskh script was transformed into a major calligraphic stlye. Ibn al-Bawwad eventually transformed the font to the point it was aesthetically pleasing enough to write the suras (chapters) of the Qur'an.  It replaced the Kufic script as the choice style for the holy book, giving Naskh the title “servant of the Qur'an”.  Naskh was also the chosen style for many other books because it was so easy to read and is still used today in many printed books.xxiv 

Thuluth: According to some calligraphers, you are not a calligrapher until you master the Thuluth script.xxv This tall, intertwining script is used mostly in headings, titles and colophon pages.xxvi It is also a choice script to be used on architecture, it exaggerating the hight of the building, and is also used on metal work, glass, wood, and other materials. It is viewed as being a more decorative, ornamental script due to many of the letters braid together and have a steep curve. 
The Tumar script, one of the earliest of the Arabic scripts, is thought to have been the influence of this script and considered to be an “addition” to the Sitta. This script is graceful but very large, it one-third the size of the pen. 


Muhaqqa and Rayhani Script: Muhaqqa was at first a term givin to the scripts that were not as angular as Kufic scripts, but with better spaced ligaturesxxviii This gave Muhaqqa its name, meaning “strongly expressed”. Muhaqqa had received the stamp of excellence until the arrival of paper and it became less controlled and used more freely. During the rule of Caliph al-Ma'mun (813-33) it evolved to a  point were it was round enough to make it easy to write, it becoming the choice script for warraqun (professional scribes)xxix. This script contains hardly any downward strokes and is very vertical. The Rayhani script is reasoned to be a smaller version of the Muhaqqa.
Rayhani script, named after a basil plant, gets its name thanks to the delicate lines and steams that form from the sharp pointed ends of the letters.xxx 

Tawqi and Riqa Script: Tawiq is catagorized as being one of the “additional” scripts of the Sitta. Meaning “signature”, it supposedly had birthed from a script that the Abbasid caliphs used to signature documents. It was not fully developed until the eleventh century by  a second generation student of al-Bawwab, Ahmad ibn Muhammad, who was also known as Ibn al-Khazin (d.1124).  Tawqi is generally used for special occasions and was continued to be the script chosen to signature important documents.  A smaller version of the script was created by al-Khazin called Riqa. Favored by Ottoman calligraphers, Riqa developed to being the script used as handwriting around the Arab world today.xxxii 
Last of the “additional” scripts, Nasta'liq is a mixture of Naskh and Ta'liq styles, its name being a compound of both of the scripts names. It was formed in the fifteenth century by Persians and has since been the national script.xxxiv It is believed that the creator of this script was Persian khattat Mir 'Ali Sultan al-Tabrizi (d.1416). In the traditional texts, al-Tabrizi was said to have been visited by Caliph Ali in a dream, allowing him to create a new, beautiful script by studying a certain bird. He was then visited in his dreams by a grouse. From the shape of the bird's wings, al-Tabrizi got inspiration to create the Nasta'liq script. 


Bibliography

Calligraphy Qalam. “Tools and Materials”. Last modified 2009. http://calligraphyqalam.com/process/tools.html.
“Ibn Maqla”. Last modified 2009. http://calligraphyqalam.com/people/ibn-muqla.html
“Kufic/ Maghribi Style.” Last modified 2009. http://calligraphyqalam.com/styles/kufic-maghribi.html.
        “Ibn al-Bawwab”. Last modified 2009. http://calligraphyqalam.com/people/ibn-albawwab.html. 
“Yaqut al-Musta'simi”. Last modified 2009. http://calligraphyqalam.com/people/yaqut-al-mustasimi.html.
“Thuluth/Naskh”. Last modified 2009,http://calligraphyqalam.com/styles/thuluth-naskh.html.
  “Muhaqqaq/ Rayhani”. Last modified 2009. http://calligraphyqalam.com/styles/muhaqqaq-rayhani.html
“Ta'liq/Nasta'liq/Shikaste”. Last modified 2009. http://calligraphyqalam.com/styles/nastaliq-taliq-shikaste.html

Khatibi, Abdelkebir and Sijelnassi, Mohammed. The Splendour of Islamic Calligraphy. New York: Rizzoli International. 1976

Safadi, Yasin Hamid. Islamic Calligraphy. Boulder: Shambhala. 1979.

Sakal Design. “The Art of Arabic Calligraphy”. Last modified 1993. http://www.sakkal.com/ArtArabicCalligraphy.html

Zoghbi, Pascal and Stone. Arabic Graffiti. Berlin: From Here to Frame. 2011

Saturday, February 16, 2013

Art of the Arab Spring, Summer, Winter, and Fall




Blossoms on vintage

A photograph of "Tank vs. Bike" in Cairo.
Tank v. bike Cairo



Voices-of-hope

Protesting Women


Real life

Arab.-Frühling-Fahne-450






























Tomb Sonata in Three Military Movements by Khaled Hafez









Syrian Refugees










Art imitating life
















"Freedom"




Ben Ali



Looting Ben Ali's mansion





Auction of Ben Ali Family Goods
A Porsche, Lamborghini and Jaguar sit in an army yard where other cars belonging to Ben Ali and his family are being held


Jewellery items that once belonged to the family of the ousted Tunisian dictator on display at an auction in the Tunis suburb of Gammarth
Shoes, handbags and accessories once worn by Leila Trabelsi, who was well-known for her expensive taste


Organisers show suits once owned by Ben Ali, some of which are expected to go for 3,000 euros each


Tunisian President Zine Ali Abidine Ben Ali and First Lady Leila, who fled the presidential palace early last year





















Tuesday, December 25, 2012

Najaf and Hawza Bibliography

Āl Maḥbūbah, Jaʻfar al-Shaykh Bāqir. Māḍī al-Najaf wa-ḥāḍiruhā al-Najaf : Maṭbaʻat al-Ādāb, 1955-1958. 
Amini, Muhammad Hadi, Muʻjam rijāl al-fikr wa-al-adab fī al-Najaf khilāla alf ʻām Najaf? : s.n., 1992
Amīnī, Muḥammad Hādī. Muʻjam al-maṭbūʻāt al-Najafīyah. al-Najaf : Maṭbaʻat al-Ādāb, 1966
al-Asadi, Hasan Thaura al-Najaf ‘ala al-inkliz, Baghdad: Wizarat al-I‘lam, 1975
Āṣafī, Muḥammad Mahdī. Madrasat al-Najaf wa-taṭawwur al-ḥarakah al-iṣlāḥīyah fīhā. al-Najaf : [Dār al-Nuʻmān lil-Ṭibāʻah wa-al-Nashr, 1965]
Bahādilī, ʻAlī. al-Najaf : jāmiʻatuhā wa-dawruhā al-qiyādī Bayrūt, Lubnān : Muʾassasat al-Wafāʾ, 1989.
Bahādlī, ʻAlī. al-Ḥawzah al-ʻilmīyah fī al-Najaf : maʻālimuhā wa-ḥarakatuhā al-iṣlāḥīyah. Bayrūt, Lubnān : Dār al-Zahrāʼ, 1993
Bahadli, Ahmad Kadhem. al-Najaf al-Ashraf wa Jama'taha al-Deenaiyya
Bahr al-‘Ulum, Introduction to Amali Al-Shaykh Al-Tusi
Balāghī, ʻAbd al-Ḥujjat, Tārīkh-i Najaf-i ashraf va Ḥīrah Tehran, Chāpkhāneh-yi Maẓāhirī, 1368 [1949
Dujaili, Ja'far Mousooa't al-Najaf al-Ashraf (12 vol) 
Faḍlī, ’Abd al-Hādī. Dalīl al-Najaf al-ashraf. 1966
Fakhr al-din, tarikh al-najaf
Gharaviyān , Muḥsin. Ḥawzah dar maʻraẓ-i hujūm : naqdī bar maqālah-ʾi. Qum : Daftar-i Nashr-i Barguzīdah, [13]75 [1996]
Gharawī, Muḥammad. al-Ḥawzah al-ʻilmīyah fī al-Najaf al-ashraf : dirāsah tārīkhīyah mutawāḍiʻah tabḥathu ʻan bidāyat al-jāmiʻah al-ʻilmīyah al-dīnīyah fī al-Najaf al-ashraf Bayrūt, Lubnān : Dār al-Aḍwāʼ, 1994.
Gharawī, Muḥammad. Maʻa ʻulamāʾ al-Najaf al-ashraf Bayrūt, Lubnān : Dār al-Thaqalayn, 1999
Ḥakīm Hasan ʻĪsá, al-Mufaṣṣal fī taʼrīkh al-Najaf al-Ashraf, Qum : al-Maktabah al-Ḥaydarīyah, 1427/2006
Al-Hakim, Muhammad Taqi, Da’ira al-Ma ‘arif al-islamiyya al-Shi‘a, Beirut: al-Ta‘arif, 1986
Hāshimī al-Mashhadī, Muḥammad ʻAlī. al-Ḥawzah al-ʻilmīyah tudīn al-inḥirāf. Bayrūt, Lubnān : Dār al-Ḥusaynī lil-Maṭbūʻāt, 2001.
Ḥassūn al-Burāqī, Ḥusayn ibn al-Sayyid Aḥmad. Tārīkh al-Najaf : al-maʻrūf bi, al-Yatīmah al-gharawīyah wa-al-tuḥfah al-Najafīyah fī al-arḍ al-mubārakah al-zakīyah Bayrūt : Dār al-Muʾarrikh al-ʻArabī, 2009
Ibn shahrashub, mu’alam al-ulama
Karbala center for research, najaf al-ashraf
Khalili, Jafar mausuat al-‘atabat al-muqadassah, Baghdād, Dār al-Taʻāruf, 1965 (vol. 7 has info on madrasa and students. Also look at section 7 vol. 2 for Bahr al-Ulum’s derasat wa tarikhaha fi al-najaf)
Kūfī, Muḥammad ibn ʻAbbūd, Nuzhat al-gharī fī tārīkh al-Najaf. al-Najaf : Maṭbaʻat al-Gharī, 1952
Al-Khu’i, Abu al-Qasim al-Musui, Musu‘a al-‘atabat al-muqadasa qism al-Najaf, Beirut: al-A ‘lami, 1987
Maghnīyah, Muḥammad Jawād, Maʻa ʻulamāʾ al-Najaf al-Ashraf [Iran] : Ahl al-Dhikr, 1426 [2005 or 2006] – This seems to be a translation of Gharawi’s book with same title
Marjānī, Ḥaydar, al-Najaf al-ashraf qadīman wa-ḥadīthan. Baghdad : Jamʻīyat al-Tawjīh al-Dīnī, 1986
Markaz Karbalāʾ lil-Buḥūth wa-al-Dirāsāt. al-Najaf al-Ashraf, isʹhāmāt fī al-ḥaḍārah al-insānīyah : waqāʾiʻ al-nadwah al-ʻilmīyah al-latī ʻaqadahā Markaz Karbalʾ̄ lil-Buḥūth wa-al-Dirāsaāt fī Landan Landan : Būk Akstrā, 2000.
Muhsin, Muhammad Zindaginamah va asar-I shaykh tusi,
Mufrijī, ʻUdayy Ḥātim ʻAbd al-Zahrah. al-Najaf al-ashraf wa ḥarakat al-tayyār al-iṣlāḥī Bayrūt : Dār al-Qārī ; al-Mawāhib, 2005
Mūsawī al-Ghurayfī, Muḥammad Riḍā al-Sayyid Muḥyī al-Dīn. Fikrah ʻan al-Hawzah al-ʻIlmiyah fi al-Najaf. Vol. 1 Qum : Muʼassasat al-Sayyidah al-Maʻṣūmah, 1429 [2008 or 2009]
Muvaḥḥid Abṭaḥī, Ḥujjat. Āshnāʾī bā ḥawzahʹhā-yi ʻilmīyah-ʾi Shīʻah dar ṭūl-i tārīkh.  Iṣfahān : Ḥawzah-i ʻIlmīyah, 1365- [1986- ]
Ruhaimi, tarikh al-haraka al-islamiya fil Iraq: al-juthur al-fikriya wal waqi al-tarikhi, 1985
Saghir, Muhammad Husayn ‘Ali, Asāṭīn al-marjiʻīyah al-ʻulyā fī al-Najaf al-ashraf, Bayrūt: Muʾassasat al-Balāgh, 2003
Salihi, ‘Abd al-Husayn, Al-Hawzat al-‘ilmiyya fi al-alaqtar al-islamiyya, Bayt al-‘ilm lil-nabihin, Beirut, 2004
Sahlani, Haydar. Fiqh al-atabat al-muqaddasah. Vol. 1 Qum : Manshurat Dalil Ma, 1429 [2008 or 2009]
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Shahir, tarikh al-najaf
Shams al-Din, Muhammad Rida Hadith al-Jama‘a al-Najafiyya
Sprenger and ʿAbd Ḥaḳḳ, eds. Fihrist kutub al-s̲h̲īʿa (, Calcutta 1848, repr. Mas̲h̲had 1972);
al-Suyuti, Jalal al-din Baghiyat al-wa‘a
Tihrani, Zendeginame-ye Shaykh al-tusi
Ṭihrānī’s intro to al-Ṭūsī’s Tibyān, in Yād-nāma-yi S̲h̲ayk̲h̲ al-Ṭāʾifa... Ṭūsī , Mas̲h̲had 1348/1970 - see the 102-page introd.
Tusi, amali (2 vols), on hadith and dogma
Tusi, al-fihrist kutub al-shia, ed. Sprenger and ‘Abd al-Hakk, Calcutta, 1848. (Ṭūsī gives a list of 43 of his own works; later he would have composed several more (Ṭihrānī, introd. to Tibyān).
Tusi, al-Istibsar ed. al-Ḵh̲arsān (one of the four canonical books of Imami hadith)
Tusi, al-jamad wal-uqud intro with introd. and Persian tr. by Wāʿiz̦-zāda, Mas̲h̲had 1374
Tusi, kitab al-ghayba
Tusi, rijal al-tusi
Tusi, al-Tahdhib al-ahkam ed. al-Ḵh̲arsān
Tusi, al-Tibyān fī tafsīral-Ḳurʾān, 10 vols. ed. S̲h̲awḳī and ʿĀmilī, Nad̲j̲af 1376-83, 10 vols., with introd. by Āg̲h̲ā Buzurg al-Ṭihranī)
Uqaylī, Muḥammad Ḥusayn ibn ʻAlī ibn Muḥammad Ḥirz al-Dīn al-Muslimī, Tārīkh al-Najaf al-ashraf ; hadhdhabahu wa-zāda ʻalayhi ʻAbd al-Razzāq Muḥammad Ḥusayn Ḥirz al-Dīn. Qum : Dalīl Mā, 1427, 2006
Wadāʻah, Nājī. Lamaḥāt min tārīkh al-Najaf  al-Najaf : Maṭbaʻat al-Qaḍāʾ, 1973

Saturday, December 8, 2012

News articles on Baha'i Persecution

Article published in Washington Post on 11/28/12 about Baha'is in Semnan: Faith under siege: The Baha’is of Semnan, Iran

Published by LA TIMES on 8/11/10 IRAN: Court sentences leaders of Bahai faith to 20 years in prison

Published by NPR on 4/3/10, Roxana Saberi mentions her experience with Baha'is in Evin prison:

Friday, November 23, 2012

Resources for Baha'i Persecution

Since the 1979 revolution in Iran, Baha'is have been systematically persecuted, even though they do not involve themselves in affairs of the government and are non-violent. The Baha'i Faith is the largest minority group in Iran. However, Baha'is are treated as second-class citizens. They cannot pursue higher education or hold state funded positions. Below is a list of resources for those interested in learning more about the persecution of Baha'is in Iran.

Iran Press Watch regularly documents arrests, detentions, etc. of Baha'is in Iran. The site is not maintained by Baha'is and is a good source of up-to-date persecution of Baha'is. Click here for the website: Iran Press Watch: Documenting the Persecution of the Baha'i Community in Iran

The Baha'i World News Service (BWNS) regularly reports on activities of interest to the global Baha'i community. Here is a link to the BWNS archive of reports on persecution of Baha'is in Iran and elsewhere.

The Muslim Network for Baha'i Rights is a Network of Muslim activists who speak out against the persecution of the Baha'is. Their website includes a good timeline of Baha'i arrests, etc., which can be accessed here. Comics and videos can be found here. The website also has a map plotting recent arrests, etc. here.

7 Baha'i Leaders (Yaran) in prison since 2008. They did not have a fair trial and had very little access to legal representation, even though Shirin Ebadi (first Muslim woman to be awarded the Nobel Peace Prize) agreed to represent them.
Baha'is have been persecuted in Iran since the Baha'i Faith began in in the mid-1800s. This image was published in a Persian magazine in 1911.